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The Hard Work of Independent Thinking, Individualism and Courage – by Gary Smolker, Social Commentator, Values Critic

COURAGE

How much courage do you have?

What is courage?

THINKING

Thinking for yourself is courageous.

Thinking for yourself is hard hard work.

HARD WORK

Unless strongly motivated, most people avoid doing hard work.

THE HARD WORK OF BEING PREPARED TO THINK

Most people avoid spending large amounts of their time fully engaged in doing the hard work required to be able to think things through adequately.

Many people do not keep themselves informed by reading a large variety of books; they do not read a variety of magazines; they do not read a variety of reports on studies conducted on a variety of topics of interest to them.

Most people do not read several newspapers each day.

Many people are not constantly reading.

Most people are not constantly looking things up.

Most people do not attend seminars; most people do not attend lectures on topics of interest to them; most people to not take continuing education courses.

Most people are not constantly learning new useful things.

LEARNING NEW THINGS

Most people spend little or no time studying anything.

Although many people are constantly reading, they are not reading to learn things important to independent thinkers.

Instead, they are reading to learn “what society should think according to influence leaders.”

They do not “think” for themselves.

Most people are not constantly learning new useful things of interest to independent thinkers.

Most people do not spend any time doing “experimental research” to learn new things.

Most people spend little or no time analyzing their own ideas or the ideas of other people.

COMING TO CONCLUSIONS

Many people do not come to their own conclusions on matters that are of great concern.

Most people do not come to their own independent conclusions on matters of importance to them.

Instead they rely on other people’s advice and/or they rely on the generally held beliefs of the communities they belong to.

Coming to their own conclusions is too much work for most people.

Coming to their own conclusions would require too much of their time.

Coming to their own conclusions often requires expertise they do not have, expertise they do not wish to gain.

VERY AMBITIOUS PEOPLE

At the opposite extreme is a very small group, but growing group, of very ambitious people who find it difficult to have fun for fun’s sake.

They don’t stop to smell the roses.

They don’t spend time enjoying nature or the outdoors.

They seem to live to work.

They are being who they actually are.

They are driven by a desire to accomplish a clear concrete self-defined well-defined goal.

If they work 12, or 14, or 16, or 18 hours a day, six or seven days a week they are giving up a lot for something.

Some of them eventually learn: “the key to having a successful relationship with another person is to devote a substantial amount of their time to that person.”

They figure out that it is necessary to give their full sincere attention to that other person.

They eventually realize there is more to life than money and prestige.

PROGRESS DEPENDS ON THE UNREASONABLE MAN

“The reasonable man adapts himself to the world.

“The unreasonable man persists in trying to adapt the world to himself. 

“Therefore, all progress depends upon the unreasonable man.”

– George Bernard Shaw

THE BENEFITS OF BEING AN INDEPENDENT THINKER

Independent thinkers search for the truth with little concern for what other people think.

Their value and respect for the truth compels them to make their own decisions.

Their judgments are based on the logic and knowledge they have achieved.

Their judgments are not based on another person’s agenda.

The benefit of being an independent thinker to an independent thinker is they learn to trust themselves and the efficacy of their own judgments.

They have tremendous self-esteem and self-confidence.

The only person who can give you self-esteem is yourself.

KOBE BYRANT

Kobe Bryant was an evolved human being.

He was intense.

He had mind bogging drive; he had a relentless drive to be the best at what he did.

He would outwork anyone.

He had an almost superhuman work ethic.

He had determination and persistence.

He had an unyielding will to win.

He was a go-for-broke competitor.

He was fearless.

He displayed a steely toughness; he played through pain.

He never gave up.

He always wanted to grow.

He always wanted to know: What drove excellence?

He was a wonderful exemplary father.

He taught his young daughter how to play basketball.

He went to his young daughter’s ballet class with her.

He coached a girl’s basketball team.

Kolbe Bryant was more than a razzle-dazzle basketball star.

He was a wonderful compelling compassionate man.

He used his celebrity, his star power, and his animal-magnetism for the good.

He was more than a basketball player.

He was a fine, gutsy, highly skilled larger than life icon who always tried to be the best person he could be.

THE KOBE BRYANT GOSPEL OF DEDICATION AND HARD WORK

Kobe Bryant was a work maniac who leveraged his talent with an incredible work ethic that drove him to the top of his profession. He spoke three languages languages, was a brilliant man and a great writer who chose to pursue a career in sports over more erudite occupations.

Kobe was an inspiration to an entire generation of young people who were attracted initially by his prowess as a basketball player, but soon learned of his work ethic and quality as  a person.

Kobe made mistakes, did the hard work of learning from his mistakes, and then after much thought, corrected his thinking. Kobe turned the corner, redeemed himself.

Like many males, he had his challenges with his sex drive, but he owned up to his mistakes, learned from them, and grew to be a dedicated father and husband.

Kobe stands shoulder to shoulder with a handful of the very best in his profession and leveraged his fame to spread the gospel of dedication, hard work and being a thoughtful and good person to all whole chose to listen.

 

 

Copyright © 2020 by Gary Smolker, All Rights Reserved

THE POWER OF MUSIC ACCOMPANIED WITH A LIGHT SHOW by Gary Smolker

Values

Music is about our values.

Music is about our values as a country.

Music is about our values as an individual.

Our music is about who we are.

Friday Night June 15, 2018 Performances of

Chicago and REO SPEED WAGON at the Forum in

Inglewood, California

Friday night, June 15, 2018, I went to a Rock & Roll concert at the Forum in Inglewood, California.

   

REO Speed Wagon and Chicago each put on outstanding shows/performances.

Spiritual Power of Music

Throughout the concert the psychological and spiritual power of music was palatable.

Each song REO Speed Wagon and Chicago performed was performed with the emotional oratorical power of an outstanding preacher determined to resist oppression preaching a sermon re-reinforcing the strength of the human spirit reflected in the slave spirituals:

“Go down, Moses

Go down to Egyptland

Go tell ol’ Pharaoh,

Let my people go!”

Psychic and Spiritual Sustenance

  • Music gives people psychic and spiritual sustenance.
  • Music always fuels a rising tide of conscience and consciousness – social consciousness and racial consciousness.
  • Music is a mighty force for social reform.
  • The Music Performed at this concert promoted a personal sense of dignity, self-respect and pride.

Grace and Speed

REO Speed Wagon played meat and potatoes Rock & Roll with a message: “Don’t give up. Press on!” with “Blue Lights” and a blue light show going on in the background.

While performing, the REO Speed Wagon bandleader commented, “Listening to Rock & Roll keeps you young.”

Colors convey feelings, values, relationships, contrasts, dramas and tensions.

The REO SPEED WAGON Light Show

Color is a means of expression.

Color effects us.

Goethe wrote that “… a blue surface seems to recede from us … it draws us after it.”

Blue is linked with eternity, the beyond, supernatural beauty, religious transcendence, the spiritual and mental as contrasted with the emotional and physical and with detachment from the earthly.

Blue draws us into a meditative mood.

Blue cools and calms. It is the color of moonlight.

The Mind and Mood Altering Show Put on by Chicago

      

After the psychedelic images above were put on the screen other images which told a story in pictures which reflected what was going on and the mood of a strong active majority of young people and the public at large that prevailed in the United States during the 1960s.

Everyone over the age of 70 ought to go to a modern day rock concert, like the one I went to on Friday June 15, 2018, and reflect how things have changed and haven’t changed in the United States since the 1960s.

Everyone under the age of 70 ought to ask people over the age of 70 who lived in the United States in the 1960s what life was like in the United States in the 1960s, what the mood of the people was with respect to (1) the Vietnam War, (2) the Civil Rights Movement, (3) with respect to segregation, race relations, and Freedom Riders, (4) with respect to Reverend Martin Luther King, Jr., (4) with respect to President John F. Kennedy, (5) with respect to the Space Program, the Moon Program, (6) with respect to the assassination of President Kennedy, (7) with respect to the assassination of Dr. King, (8) with respect to the Civil Rights Act, (9) with respect to the Voting Rights Act, (10) with respect to social reform and (11) with respect to America’s dissenting tradition.

I am a visual person.

My personal reaction to seeing the light show put on by Chicago while the Chicago band members were playing their musical instruments was that I felt like was in a time machine that had transported me me back to the United States in the 1960s when the Beatles invaded America, when I watched the Beatles perform, when I listened to newly released Beatles’ songs, what was going on in my mind while I was watching the Beatles’ movie “The Yellow Submarine”, how I felt and where I was and what I was doing when I heard that JFK had been assassinated, vivid memories of watching Vietnam Protestors protest, the light show reminded me of what it felt like to be fully personally aware of racial segregation, my feeling as I was witnessing non-violent civil rights protests, how I felt upon hearing that Martin Luther King had been assassinated, what I felt while I watched President Nixon resign, etc. etc.

The 1960s in America was a time of civil unrest but also a time of feeling we (Americans) could fix anything.

For many Americans (myself included) the 1960s was a time of hope, a time of optimism, a time of being idealistic and a time of idealism, social activism was rampant, massive public protests were ongoing and there was rising prosperity.

The light show put on while the band Chicago played its musical tunes, brought back all those memories to me.

Below are some of the scenes flashed on the screen behind Chicago as Chicago performed at the concert.

 

    

Dr. King delivered the historic keynote address we know as his “I Have A Dream” speech before the nationalized televised March on Washington on August 28, 1963. He received the 1964 Nobel Prize for Peace. He was assassinated on April 4, 1968 in Memphis, Tennessee.

The alternative to violence is nonviolent resistance, made famous by Mohandas K. Gandhi, who used it to free India from the domination of the British empire in 1948 and made more famous in the 1960s by Martin Luther King’s leadership in a concentrated drive against injustice.

Laura Bush Speaks Out: Separating Children from their

parents at the border ‘breaks my heart.’

Laura Bush is a former first lady of the United States.

The following is my quotes of something written by Laura Bush on Father’s Day, June 17, 2018, which I read today in the “Washington Post.”

I live in a border state.  I appreciate the need to enforce and protect our international boundaries, but this zero-tolerance policy is cruel.  It is immoral. And it breaks my heart.

“Our government should not be in the business of warehousing children in converted box stores or making plans to place them in tent cities in the desert outside of El Paso.  These images are eerily reminiscent of the Japanese American internment camps of World War II, now considered to have been one of the most shameful episodes in U.S. history…

“We Americans pride ourselves on being a moral nation, on being the nation that sends humanitarian relief to places devastated by natural disasters or famine or war.  We pride ourselves on believing that people should be seen for the content of their character, not the color of their skin.  We pride ourselves on acceptance.  If we are truly that country, then it is our obligation to reunite those detained children with their parents – and to stop separating parents and children in the first place.

“People on all sides agree that our immigration system isn’t working, but the injustice of zero tolerance is not the answer.  I moved away from Washington almost a decade ago, but I know there are good people at all levels of government who can do better to fix this….”

“In 2018, can we not as a nation find a kinder, more compassionate and more moral answer to this current crisis? I, for one, believe we can.”

Laura Bush, the performers and audience at the Friday, June 15, 2018 concert at the Forum, in Inglewood California, which I attended believe AMERICA CAN NOT ONLY BE GREAT BUT ALSO GOOD.

 

COPYRIGHT © 2018 by Gary Smolker

 

CREATING DESIRE – by Gary S. Smolker

The 2016 Toronto International Film Festival

I just returned from watching 18 films about fascinating people (in 5 days) at the 2016 Toronto International Film Festival, in Toronto, Canada.

The City of Toronto is known world wide, in the movie making business, as the city that has the most film literate audience.

Most Motivating Movie I Saw at the Festival

The most motivating movie I saw at the festival was “Paris Can Wait.”

“Paris Can Wait” teaches us that even the most seductive Frenchman can not seduce a well grounded morally straight all American girl.

I say “Paris Can Wait” is the most motivating movie I saw at the festival because after seeing “Paris Can Wait” the woman I was with wanted a glass of wine and assured me that all women in the audience wanted a glass of wine also.

She told me that was the main topic of conversation in the woman’s washroom after the movie concluded.

My Scientific Experiment

At the festival I was able to test my theory that I can tell all I need to know about a woman instantaneously, in less than a minute by looking at the shoes she is wearing.

Below is my report on the experiment I carried out at the festival.

Sophistication Unplugged

Experimental Result and Conclusion

I could tell by looking at the shoes and clothes women attending the festival were wearing and the hand bag they were holding/carrying [while going to see films and standing in line to see films and in the theatres showing the films] how hip, knowledgeable, self-confident, full of self-esteem, energetic, brave, courageous, sophisticated, and full of energy they are/were and whether they welcome new adventure.

Benefit to Mankind of Discovery

COMPELLING SALES PROPOSITION – WHY YOU SHOULD CONTINUE READING

(You Need to Understand Women in Order to Know How to Please Them)

If you know how to do it,  you can tell what kind of woman a woman is in less than one minute [instantaneously] by looking at the shoes she is wearing.

For detailed information on this topic, check out my blog posts on Dudes Guide to Women’s Shoes at http://www.dudesguidetowomensshoes.com.

Theory Proven

(Summary: The Shoes A Woman Wears Is Much More Revealing than the Palm of Her Hand.)

The scholarly “in-the-field-enterprise” described below and scientific experimental data set forth in visual form below conclusively proves that the shoes a woman is wearing is much more revealing than the palms of her hands.

If a woman wears “sexy shoes”, and if the man she is with looks at her shoes, the vision of her in her shoes will close around the man looking at her shoes, that image will reach inside him, controlling his every thought as he is looking at her shoes.

The image he sees of her at that moment, in her sexy shoes, will be impossible for him to forget.

It is not complicated:

  • Women know how to parameterize.
  • Women know that after seeing her in her sexy shoes, a weak man might get drunk and say something poetic and romantic to her, then wake up with her besides him the next morning, with a terrible hangover, kneading his forehead and consumed with guilt because of the sweet possessive looks she is giving him.
  • Women have no trouble putting any man in a box, and tying it with a ribbon and giving herself to him as a wedding gift … by wearing sexy shoes, then getting the man she is with drunk.

A BIT OF ADVICE TO MEN:  You don’t have to be a big thinker, it is a transcendent universal, the ultimate reality, beware of women wearing “sexy shoes.”

My Analysis of the Following Scientific Experimental Data

A WOMAN’S SHOES REFLECT WHETHER SHE IS HIGH ENERGY

Below is a series of pictures of the shoes worn by a woman I met Friday night (September 16, 2016)  in the waiting area for Air Canada flight AC793 to Los Angeles at the Pearson International Airport, Toronto – on way back home after I had been in Toronto for seven days.

I met her while I was waiting to board an Air Canada plane to take me back to Los Angeles from Toronto.

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Can’t you tell what kind of person that woman is just by looking at the shoes she is wearing, pictured above?

I can/I could.

Coincidentally, the name of the “young woman” whose shoes are shown above is Nirvana.

I could tell instantaneously by looking at Nirvana’s gold Gucci shoes that Nirvana has money spending power; she is fashion conscious; she is a cutting edge person.

Nirvana can buy or has someone in her life who will buy her shoes that cost $500 or more; Nirvana knows what is going on in the world of fashion; Nirvana makes up her own mind; Nirvana is comfortable in her own skin, and is (a) smart, (b) fun, and (c) energetic in every sense of those three words.

In summary, by looking at the gold shoes Nirvana was wearing, I knew in less than one minute [instantaneously] that Nirvana is SMART, FUN and ENERGETIC.

After I introduced myself to Nirvana and asked for permission to take pictures of her shoes and of her to post on my blog, and after Nirvana told me it was/is okay to do so, Nirvana told me Nirvana’s hobbies are napping (two 10 minute naps a day) and dancing.

While we were waiting to catch our plane back to Los Angeles, Nirvana and I talked about how Gucci recently made a “comeback” in the world of fashion.

By the way the shoes Nirvana is wearing are Gucci shoes.

SHOES REFLECT WHETHER A WOMAN IS AN ASPIRING ACTRESS OR MODEL

Below is a series of photographs I took of a woman I saw sitting at a table at the Canteen where I was having my breakfast on morning Sunday (September 11, 2016).

Upon looking at that woman’s poise and “pose”, I immediately knew she is a woman who has great flare and great acting ability.

I immediately knew that I wanted to take a picture of her wearing her over the knee boots shown in the photographs below.

Look at the boots she is/was wearing.

Immediately after seeing her, I walked up to her to ask if I could take photographs of the books she was/is wearing.

She told me I could take a picture of her and the shoes she is/was wearing to post on my blog.

She then gave me a business card.

She did not pose for the photo shoots (the photos below) I took of her boots.

What you see in the photograph below is what I saw when I first looked at her.

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She told me her name is Helena-Alexis and that she is an Actress/Model.

Her business card states:

  • She (Helena-Alexis) is a two time winner of the Best Actress award of FACES MAGAZINE,
  • She has twice been nominated Best Actress by BLACK CANADIAN ARTISTS, and
  • She has twice been nominated Best Model by FACES MAGAZINE.

A WOMAN’S SHOES REFLECT WHETHER SHE LIKES LIVING A LIFE OF HIGH ADVENTURE ON STEROIDS

The minute I saw Robin (aka as Bronwen Hughes) come at stage at the Isabel Bader Theatre in Toronto at 10:15 p.m. on September 15, 2016, to introduce the “World Premier” screening of her film “The Journey Is The Destination”, I knew I was about to see an exciting movie because I could tell by looking at her that she is an exciting woman.

I instantaneously recognized that Robin is an exciting woman by merely looking at Robin’s shoes as well as the rest of her ensemble.

Below are photographs I took of Robin at the Isabel Bader Theater immediately after the showing of her film “The Journey Is the Destination.”

The photographs below show what Robin looked like when Robin came on the stage at the Isabel Bader Theatre to introduce her movie.

The screenplay for “the Journey is the Destination” was written jointly by Robin with Jan Sardi.

By the way, Jan Sardi also wrote the screenplay for Shine and also wrote the screenplay for The Notebook.

Look at Robin’s outfit, in the photo below which I took of Robin while she was on the stage at the Isabel Bader Theatre.

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Look at Robin’s shoes.

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Look again at Robin’s shoes.

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Before the screening of her film began, Robin said to the audience: “How can you be good at something you are not passionate about?

Robin said:

  • It takes guts and vision to make a visionary film
  • When you have a vision [of a film you want to make] you need visionaries to get on board with you to move your project/train down the track.
  • You are about to see a visionary film made by a team of visionaries.
  • This film is about a photojournalist [Dan Eldon] who lived the steroid version of the life I want(ed) to live.

Below is a close up photograph I took of Robin’s face.

I see determination, strength, and and will to succeed (a) radiating out from Robin’s face, (b) radiating out from Robin’s over one shoulder black blouse, (c) radiating out from Robin’s sandals/shoes, (d) radiating out from Robin’s contagious smile and (e) radiating out from Robin’s silver shorts.

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Below is a picture I took of Robin sitting down at the edge of the stage while answering questions directed to her by people in the audience.

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I could instantaneously tell, by looking at Robin, that Robin is a woman who robustly lives life.

I could instantaneously tell by looking at Robin’s shoes, silver shorts, black over the shoulder blouse, and by looking at the earnest/contagious gleam in her eyes and smile that Robin is a fiercely creative artist.

I knew nothing about Robin and had never seen Robin before I took the above photos of Robin.

Mathematical Certainty

Although I have given my analysis of the type of woman a women is by merely looking at her shoes, and although what I say in the material above sounds scientific, BEWARE I do not claim mathematical certainty.

I may have misjudged one or more of the women whose shoes I have analyzed.

Perhaps I have completely mistaken who and what kind of women those women are by merely looking at the shoes they were wearing at the time I first saw them, which was the first time I met each one of them.

Perhaps I have over-stated the power sexy shoes, and the power a woman wearing sexy shoes, can/does have over a man.

Certainly becoming “drunk”/inebriated with a man while wearing “sexy shoes” is far more than an ingenious set of tools women use for facilitating uninhibited communication.

The story told in “Paris Can Wait” demonstrates that the combination of good food and good wine are a veritable nuclear weapon.

The Most Motivating Movie I Saw at the 2016 TIFF

Watching “Paris Can Wait” made everyone hungry and crazy with desire to have a glass of wine.

“Paris Can Wait” was/is written and directed by a 78 year old beginner – Eleanor Coppola, the wife of Francis Coppola for over five decades.

It is an intoxicating tour from Cannes to Paris – heavenly vistas, art and architecture and visions of cuisine regionales to die for.

Add a seductive bon vivant to the mix who tells the woman he is with (while taking two days to drive her to Paris from Cannes – normally a two hour car drive) that all women before her had been mere souffle and she is Creme Brulee.

When I described this movie – the food and wine and scenery – to two sophisticated women I know, one replied:

“I wish we were in Toronto, with Femme Fatale on Gary’s right and me on the left and wine in-between movies.”

The other woman (Femme Fatale) replied:

“Gary the the best exotic.

“Yes we may plan that for next year.”

After watching “Paris can wait, I took the woman I was with to my favorite restaurant in Toronto, Terroni at 57 Adelaide St. E., Toronto, Ontario, Canada, where she and I had a glass of wine before dinner, she had Amatrice as her entree and I had Spaghetti Canna Mare, after dinner drinks and wonderful deserts.

Below is a photograph I took of the woman who saw “Paris Can Wait” with me and of a glass containing the wonderful wine served to her before her dinner entree arrived.

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Below is a picture of Amatrice – the wonderful entree served to her which she enjoyed immensely.

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Below is a photograph I took of the entree served to me (Spaghetti Canna Mare) – which I enjoyed immensely.

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We shared tow wonderful desserts – a Torta Calda and a Budino di Caramello, and both drank a different wonderful after dinner wine.

Below is a photograph I took of the deserts we shared.

She is looking at her smart phone to figure out how we are going to get to the next movie we were going to see right after dinner.

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By the way, we saw 18 movies in 5 days together.

In between movies, we often had something to drink and a snack.

Below is a picture of one of those snacks we enjoyed on September 14 in between leaving one movie theatre and rushing off to another movie theater.

The picture below is a photograph I took of the strawberry shortcake we enjoyed together – shared with each other – while each of us were sipping our own coffee cup containing a generous shot of Baileys in a cup of coffee.

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The ingredients of Strawberry Shortcake Dish shown above are rosewood honeycomb, lemon poppy seed cake, and burnt honeycomb ice cream.

We enjoyed that snack at the LUMA Restaurant located at 350 King St. W. Floor 2, Toronto, Ontario.

Takeaway

Sophisticated people know foreplay does not begin in the bedroom.

Gary S. Smolker, publisher, movie reviewer, social commentator
Gary S. Smolker Idea Exchange Blog 
www.garysmolker.wordpress.com

Gary S. Smolker, fashion blogger
Dudes Guide to Women's Shoes
www.dudesguidetowomensshoes.com

 

 

Copyright © 2016 Gary S. Smolker, All Rights Reserved

 

 

 

 

 

Copyright © 2016 by Gary S. Smolker, All Rights Reserved

You Are What You See – A Commentary on High Fashion, Style, Sophistication, Glamour and the Business Genius of Louis XIV In “A Little Chaos” – A Movie Review by Gary S. Smolker

Updated October 19, 2014

 

The Eye Picks Up Clues As It Travels

Clothes do more than keep us warm.

Clothes are an extension of our personal style.

They are a key part of our taste and its expression.

Watching “A Little Chaos”, during its world premier at the 2014 Toronto International Film Festival, reminded me that people do judge you by the clothes you wear.

Each piece of our clothing in its own way makes a statement about who you are, about what your style and what your tastes are.

Visually Spectacular

“A Little Chaos” is a visually spectacular movie about a style obsessed monarch who was also a business genius (King Louis XIV).

Louis XIV took great pleasure in the conspicuous display of gorgeousness, style, beauty, the newest fashion, opulence, conspicuous consumption of luxury goods, and the creation of must see places, such as the grand gardens at Versailles.

Watching this movie is an artistic experience.

Visually, everything in this movie is spectacular.

Each scene superbly showcases objects of the greatest quality, rarity and beauty.

The clothing many characters in this move wear rises to the level of art.

The clothing wore by the nobles in this movie are dazzlingly beautiful objects to look at.

The detailing and impeccable tailoring of the garments King Louis XIV (played by Alan Rickman) wears in this movie are unforgettable.

Although the garments worn by King Louis XIV in this movie were created and worn in the 1600s, today, over 300 years later, they are still beautiful and unbelievably magnificent.  They make you think, WOW, where can I get that now.

The trees, fruit growing on trees, flowers, terraced hills, engineered waterways, gardens and the clothes worn by the characters in this movie all play a significant part in the story being told.

King Louis XIV wanted his grand gardens at Versailles to be a “must see” tourist attraction — and they are.

They were created under Louis XIV’s direction to display his power and style at a time when he was the world’s most influential, creative and imaginative promoter of style and artistic expression.

Upon their “completion” they were simultaneously opened to the public and became a “must see” tourist attraction.

From that point forward, elaborate parties and affairs of state have been conducted there; they have been called the Eighth Wonder of the World.

In this movie the audience is shown these visually glamorous grand gardens being built and planted.

The movie ends when one section of the gardens (that section designed in this movie by Madame Sabine De Barra) is completed.

It Helps to Have Resources

At the time King Louis XIV created these gardens, Louis XIV did not have to fill out loan applications or prepare investment prospectuses for potential investors in his projects.  He had enough money and power to command and to employ whomever he wanted in his kingdom to do what he wanted.

He had the power to decide and the “power to be right” – he had the power to make his own decisions without being overruled by anyone.

He had enough money and power to make sure things were done the way he wanted.

Also, and most importantly, he also had the ability to listen to people who were “able.” He used that power to great effect.

He listened to people who “knew their ‘stuff’, to people who knew what they were talking about.

He listened to people who knew how to do things.

King Louis XIV desire to own things of breath taking beauty knew no bounds.

His imagination and creative ideas and desire to possess “one of a kind” things of great beauty gave him no rest.

In keeping with all of the above, King Louis XIV hired the most talented landscape architect of all time, Andre Le Nostre (aka Andre Le Notre), to design and build the gardens at the Palace of Versailles.

King Louis XIV convinced Le Nostre to set his sights on more ambitious horizons – to create gardens that would be the most spectacularly gorgeous gardens in the world until the end of time.

The Gardens at Versailles

The grand gardens at Versailles were designed for beauty, elegance, usefulness, and to be timeless by Le Nostre.

They were designed to be the most stunning spectacular gardens in the world and to be maintained for  King Louis XIV’s own personal narcissistic gratifications of being the one owning them.

When they were completed, Louis XIV knew he had done something eternal in creating those garden.  He knew those gardens would turn him into an icon.

They immediately became the setting for every occasion Louis XIV wished to turn into a demonstration of the power of his monarchy and the wonders worked by French technology.

[ASIDE: When Louis XIV moved into his new dream home at Versailles, with his family, his ministers and the entire court in tow, 36,000 men and 6,000 horses were still deployed on the construction site.]

Establishing Social Status By Making A Breathtaking Fashion Statement

These gardens are not a bunch of plants planted in someone’s backyard.

Hills and valleys were cut and filled and terraced; swamps were filled; rivers were diverted; and a great number of pipes were custom made by hand and lovingly laid to create these gardens.

They are the end product of the highest most advanced level of the civil engineer’s and landscape architect’s arts.

They have character and panache – a dash of flamboyance and style – that are sublime.

During this movie, Director Alan Rickman shows the audience mountains at  Versailles were cut and terraced, pipes were fashioned and laid with loving hand crafted precision, and flowers, bushes and trees were chosen and planted with great passion and expertise.

In his (this) film, Director Alan Rickman shows us the detail with which these gardens are/were put together, the purposefulness with which they were created, the passion to make something that would give pleasure that went into making them, in every detail – the whole spirit of them.

The flowers and trees and bushes in these gardens are beautiful in all seasons due to the choice of plants planted.

Aura and Presence

Watching “A Little Chaos” will remind you, if you need to be reminded, that people will judge you and your aura by more than the quality of the clothes you wear.

  • Each piece of clothing displayed/worn by the nobles in “A Little Chaos” is showcased as fine art.
  • Every piece of the nobles’ clothing is in a certain way an art object.
  • Every detail in their clothing is like fine art.
  • Their clothing is refined, it’s elegant, and it is very beautiful.
  • Those garments look as good today as they did at the time they were made.
  • They are ageless.
  • The gardens themselves are each an absolutely impressive truly original creation.

Beyond that, this movie makes it clear that these gardens are one of a kind in terms of their presence and magnificence, with all that implies in terms of social status.

Louis XIV achieved immortality by creating monumental must see works during his reign, such as these gardens.

A Work of Art about A Work of Art

As a result of Alan Rickman’s superb direction, “A Little Chaos” is nothing less than a work of art about a work of art.

It is a movie which proves that a picture is worth a thousand words and that good design is timeless.

Unrelenting & Frenetic Opulence

In his movie (“A Little Chaos”), director Alan Rickman captures the sophistication, style, spirit of pleasure, competitiveness, values (each person in court strove to outshine the other by wearing more stylish clothes than everyone else) and desire for luxury, luxury goods, luxurious living and glamour in King Louis XIV’s court.

  • The garments worn at King Louis XIV’s court in “A Little Chaos” are extravagantly elaborate, of high style and bespeak wealth.
  • They have a distinctive look which is a reflection of a the wearer’s privileged life.
  • It is obvious that Louis XIV encouraged the nobles in his court to try to outdo each other in efforts to wear the most stylish sumptuous clothing.

Director Alan Rickman also captures the essence of what King Louis XIV aspired to be and the thinking that drove King Louis XIV to create the grand gardens at Versailles.

  • Louis XIV wanted Paris and France and Versailles to have the image as being of the epicenter of high style, sophistication, glamour, luxury living, and of graceful elegance and tasteful opulence.
  • Louis XIV believed his immortality would be assured by the body of creative work produced during his reign as King of France.
  • King Louis XIV personally made sure that all the buildings and gardens that he built were so obviously monumental that they were certain to remain conspicuous for posterity and simply had to be seen.
  • Not only did great things happen under Louis XIV’s reign, he made them happen.
  • In this movie, King Louis XIV is shown unrelentingly living a life full of glittering glamour, luxury, fashion, and extravagant spending on beautiful things.

Dazzlingly Luxurious Living

Virtually under Louis XIV’s royal decree, France embarked upon the most extraordinary age of creativity and luxurious living in it history.

Louis XIV is the person who made the diamond what it is today.

He loved diamonds.

He turned his clothes into a pretext for wearing diamonds.

On one over garment he showed off at least 1,500 carats of diamonds.

One of his day wear outfits featured 125 buttons, each fashioned from a single diamond.  Louis XIV also wore diamonds on his show buckles and garters.

He was the original male peacock.

His diamond mania succeeded in making the display of glittering gems an integral part of attractiveness.

It is said that at the candlelit dinners at Versailles woman’s hairdos seemed to be virtually on fire with diamonds.

Diamonds were the part of Louis XIV’s personal fortune closest to his heart: In the early 1690s he decreed that the magnificent silver furniture (all twenty-seven tons of it) and solid gold plate settings that had dazzled visitors to Versailles be melted down to get money to pay his troops, but refused to part with any of his diamonds.

Due to Louis XIV’s influence (love for diamonds), in the late seventeenth century shopping for fine jewelry became an integral part of the Parisian experience.

By the end of the seventeenth century, fashions in jewelry, like fashions in dress, were decided by designers in Paris.

At the beginning of the seventeenth century, the English crown jewels were the richest collection in Europe, but the by beginning of the next century, the French owned nearly all the greatest stones in Europe, and the English collection was so impoverished that for the coronation of George II, in 1727, many of the diamonds adorning the crowns had to be rented.

Louis XIV created the modern jewelry business.

Business Genius

Some people (myself included) believe that Louis XIV’s understanding that life is art and emphasis on style and fashion were a masterstroke of economic genius and that Louis XIV was the most farsighted creative businessman of all time, more farsighted and better able to see the future than Walt Disney and Steve Jobs.

It can be argued that without the fabulous things that Louis XIV’s passion for style inspired his subjects to create and his extraordinary spending on the luxurious and glamorous goods manufactured and/or designed in France (1) the luxurious experiences for which France is known today would not have come into existence, (2) and without them, tourism and luxury goods would not be France’s top industries today, (3) France would not be the dominant force in the luxury goods and fashion industries which it is today and (4) Paris would not be the destination place to go it is today.

Watching “A Little Chaos”  will bring you head to head and face to face in intimate contact with King Louis XIV’s astoundingly intense focused attention to detail; his creative vision and his extraordinary marketing and image making brilliance.

In “A Little Chaos”, Director/Screenwriter/Actor Alan Rickman showcased Louis XIV’s buoyant grace, exceptionally high level of ambition and deliberate and elaborate image making.

“A Little Chaos” is a 116 minute fashion-art-and-culture show of the highest level of originality in which flowers in full bloom, fruit trees bearing fruit, hills and valleys being cut and filled, swamps being filled and a great swatch of raw land being terraced and then turned into magnificent gardens as well as rich elaborate garments worn by the members of King Louis XIV’s court at royal festivities and while touring his gardens are as much a part of the story being told as the dialog of the principal characters.

As the movie progresses, the exquisite impeccably tailored magnificent garments Mr. Rickman wears throughout this film, as he plays King Louis XIV of France, create the unforgettable impression that Louis XIV was an extremely powerful ruler who loved luxury, style, fashion, glamour who happily and brilliantly exercised his absolute power with gusto and the purpose to create a country that would make people all over Europe declare “The French have style.  Their style and sense of fashion make them glamorous and beautiful.”

When the reign of King Louis XIV began France had no particular association with elegance, by its end, the French had become accepted all over the world as the arbiters in matters of taste and style.

Nightlife which is now seen as the essence of glamour and fun did not exist before the reign of King Louis XIV.

Before Louis XIV’s reign there were no street lights in any cities in the world.  All cities became pitch black at nightfall.

Before the reign of Louis XIV, no cities glittered after sunset.  Instead they were plunged into darkness.

In 1667 that changed.  By Louis XIV’s royal decree 2,736 lanterns were installed in Paris – positioned on and throughout each of the 912 streets of Paris.

Paris quickly became the original ville lumiere, the first city in the world where public life did not stop at sunset; for the first time life both outside and after dark did not stop.

Paris became the first city that never seemed to sleep.

The minute these lanterns were lit, Paris at night came into existence, and a completely new and glamorous way of experiencing cities came into existence.

After the streetlights in Paris were installed, people went shopping at night, people went to cafes and shows at night, etc. etc. etc.

The installation of street lights in Paris changed the world of shopping and world of nightlife for all time for people who live in or visit cities.

Installing street lights in Paris made Paris the destination place to go shopping.

Nightlife and nighttime business flourished.

Street lighting and business go hand in hand: shops, restaurants, cafes and theaters in Paris flourished under the newly possible extended business hours.

As soon as Paris began to sparkle at night, the beautiful people began to indulge in high-end shopping after dark and foreign visitors naturally followed suit by shopping at night as trendy Parisians were doing.

Recognizing the Need to Create Dazzling Experiences

To make Paris more outstandingly beautiful, and to add a touch of elegance to the Seine, Louis XIV imported hundreds of expensive white swans and had them placed in the Seine so that Parisians and visitors would see them as they strolled along the most popular street in Paris (the Cours-la-Reine) displaying their beautiful fashionable clothes and also see them as they traveled by coach from Paris to Versailles.

Louis XIV made Paris unsurpassed by creating landmarks that had to be seen, landmarks so fantastic that someone from a foreign city would believe they had to come to Paris to take them in.

Guidebooks prepared visitors for a “dazzling new experience”: arriving in Paris was like “suddenly coming out of the shadows into bright daylight.”

One of the guidebooks, published in 1692, rates street lighting as one of the wonders of the modern world: “This invention alone is worth the trip, no matter how far away you live.”

For the first time ever it had become possible to shop until one dropped, travel now included a new way of spending nocturnal hours.

Foreign visitors descended on fashionable Paris and wrote letters home comparing Paris to their native cities.

Recognizing the Need to Create Aesthetically Pleasurable Experiences

Under Louis XIV’s patronage, formerly everyday experiences were transformed into performance art.

Many of the finer things in life became just that, no longer “mere things” but finer aesthetically pleasurable experiences.

Louis XIV understood that being “good” or “exquisite” wasn’t good enough.

Louis XIV understood, atmosphere (glamour) is important, i.e., the way in which the plate and food are displayed is as important as what is placed on the plate.

[ASIDE:  During the reign of Louis XIV, cooking and eating began more and more to be thought of no longer as simple necessity but as a domain in which sophistication was possible and desirable.]

Louis XIV’s elaborate banquets began a process which resulted in France becoming a culinary world apart; eating became one of the finer things, no longer a “mere thing” but a finer aesthetically pleasurable experience.

Thanks to Louis XIV’s extravagantly luxurious lifestyle, France acquired the reputation as the country that had written the book on elegant living.

NEVER UNDERESTIMATE THE IMPORTANCE OF ELEGANCE AND STYLE

King Louis XIV’s program (as portrayed in Alan Rickman’s film “A Little Chaos”) to redefine France as the land of luxury, glamour and creativity – by changing the cultural world we live in – has been a fabulous success.

In a nutshell, in “A Little Chaos” the eye and imagination travel in historical time and space to the time when France became the epicenter of culture, fashion, sophistication, glamour and the art of luxury living.

Modern businessmen, since the reign of Louis XIV began, have to offer their customers something more than a good product; in order to stand out businessmen of all kinds have to make their customers feel special by providing a heavy dose of emotion along with their merchandise and/or service.

After the connection between street lighting and commerce became obvious other rulers took notice.

In 1620, Amsterdam became the second capital city to introduce street lighting.  Street lights were first installed in Berlin in 1630, in Vienna in 1687, in London in 1694 and in Geneva in 1793.

Dialogue

Dialogue in “A Little Chaos” takes place between the characters in words that bristle with visual possibilities, words that lend themselves to visual excitement.

In one, of many memorable scenes, a female gardener – while wearing the modest clothing of a gardener – asks a magnificently dressed courtier while he is escorting her down the grand staircase in the main ballroom at the Palace of Versailles at a party hosted by King Louis XIV at his Palace at Versailles:

“Why is everybody looking at me?  I am nobody.”  

The courtier replies:

That is why everyone is looking at you.”

Use of Sex to Move this Movie Along

At that moment, in this film this female gardner (whose name is Madame Sabine de Barra) is a fictional character added to this film to provide sexual tension to this otherwise sexless story.

Madam de Barra is portrayed as Andre Le Nostre’s brilliant, provocative assistant and as a woman who challenged sexual barriers and class barriers in 17th century France by being a woman with passion and intensity who woke up in the morning with desire to reject the status quo and come up with something better.  She was obviously a gardener extraordinaire and landscape architect.

Shortly before that moment, Andre Le Nostre had been hired by King Louis XIV to design and construct the grand gardens at Versailles.

Of historical note:

  • Before Versailles was a palace with grand gardens, it was a swatch of untilled countryside dotted with ponds and swamps.
  • The earth-moving required to make the slopping ramps and raised terraces at the grand gardens of Versailles, designed by Le Nostre, would be daunting with modern earthmoving equipment.  In Le Nostre’s time, earth moving work had to be done with pick, shovel and wheelbarrow and the labor of thousands of men.
  • Excavation of a Grand Canal in the grand gardens designed by Andre Le Nostre, was begun in 1668.
  • Once constructed, fifteen gondolas sent by the Venetian Republic that were used in possessions and festivities in the Grand Canal by Louis XIV.
  • The Grand Canal was also used by Louis XIV to put on naval demonstrations and mock battles
  • Most of the festivities marking the status of King Louis XIV’s reign took place in the grand gardens of the Palace of Versailles.
    • Moliere’s plays were enacted and Lully’s music was performed there.
    • Upon completion, the elaborate fetes at Versailles, with their theatrical extravaganzas on both land and water, fireworks, and great feasts, were all enacted in the gardens.
  • Versailles has played a wide variety of roles, occupying the center of French history and the world stage many times (including site of the official ending of World War I), since it began its evolution to the magnificent palace of palaces in 1661, at the command of King Louis XI.
  • Looking at these seminal gardens today, their iconic design and magnificence remain as alluring and pure as ever.
  • They beckon you to come in to have picnic on one of their lawns, and to get a sense of what the good life was all about more than 400 years ago during the reign of King Louis XIV.
  • They feel aesthetically right.

This movie begins shortly after Le Nostre is awarded the commission to design the King Louis XIV’s grand gardens at Versailles.

As the movie progresses, we watch four applicants being interviewed by Le Nostre to serve as Le Nostre’s assistant on that project.

One of the applicants we watch Le Nostre (masterly played by Matthias Schoenaerts) interview is Madame Sabine de Barra (charmingly played by Kate Winslet).

At this interview, Madame de Barra is attired in the modest attire of a gardener.

The other three applicants are (each male) landscape architects attired in exquisite clothes.

Each of the four applicant’s clothing powerfully communicates the ideas, opinions and beliefs of each applicant – captures the real truth of who that applicant is – i.e., what you could reasonably expect from each applicant if you hired him or her to help you design and/or to landscape a garden.

The three male applicants are attired conventionally and are conventional.

There is nothing conventional about Madame de Barra.

On her way to her interview, she passes through a court yard full of potted plants.

She does not like the way the potted plants are arranged.  She moves the potted plants in the courtyard around as she walks through the courtyard.

Le Nostre observes her doing this.

Her sense of purpose was an overwhelming differentiator.

At her interview she provides Le Nostre with a portfolio of detailed plans of gardens she had designed and built which prove to Le Nostre that she has done imaginative and aesthetically perfect work – work which when looked at from any angle is an impeccably flawless sophisticated work of landscaping.

It is obvious to Le Nostre that Madame de Barra is a master of balance and form and has courage audacity and good taste.

Le Nostre knows, from his own experience, that she possesses the capabilities and capacities to face the challenges his assistant will face.

Le Nostre knows:

  1. that that the courage to create great work, and fight to protect it, at all costs, is not generated in the head … it comes from the heart and soul;
  2. that timidity leads to mediocrity;
  3. that there is no such thing as a cautious creative;
  4. that in Madame de Barra, he has met a another landscape architect brimming with talent, brimming over with taste, and endowed with invincible personal conviction;
  5. and that Madame de Barra is his soulmate.

In this movie, Andre Le Nostre and Madame de Barra are each a truly original person who defies convention.

Le Nostre describes Madame de Barra as “a tiara among the weeds.”

Great Communication Holds Audiences Spellbound

Alan Rickman is a great communicator.

There is no empty ostentation in this movie.

Each character in this movie wears superbly conceived clothes.

The magnificent garments King Louis XIV wears in this movie adds to the sense that this is a real king.

Every detail of King Louis XIV’s impeccably crafted exquisite garments adds to that sense.

In your mind’s eye they become instantaneously connected to your brain and heart.

You will never be able to get them out of your memory.

Whomever did the costuming in “A Little Chaos” should win the Academy Award for costuming.

I “promise”, if you watch “A Little Chaos” you will never forget the exquisite garments Alan Rickman wore (as he was being dressed) and Stanley Tucci (wore in court as court dandy) or the pearl studded gloves Le Nostre’s wife (played by Helen McCrory) wore.

“A Little Chaos” displays film maker Alan Rickman’a taste for decorous elegance and inimitable sense of style.

The dialog, screenplay, acting and costuming in “A Little Chaos” are superb – a riveting and moving melange of colorful, fascinating characters, and ideas captured in an irresistible mix.

Kudos and congratulations for a job done exceeding well to Director/Film Maker Alan Rickman; Screenplay writers Alison Deegan, Alan Rickman, Jeremy Brock; Cinematographer Ellen Kuras; Editor Nicolas Gaster; Production Designer James Merifield; and principal cast Kate Winslet, Matthias Schoenaerts, Alan Rickman and Stanley Tucci.

Watching “A Little Chaos” is an enveloping and spectacular visual, emotional and intellectual experience.

History provides a lexicon of subjects, stories and ideas to be mined.

In “A Little Chaos” Alan Rickman shows how to artistically mine that lexicon.

Intoxicating Release

If you are one of those people who have “style”, who believe we are put here for the joy of it, if you believe totally in romance, love, pleasure and beauty, the “elegance” of the grand gardens of Versailles will hold you.

They have been bedazzling people for more than 400 years who found being in the grand gardens of Versailles is an intoxicating release from the banality of the world.

Testament to Imagination

Just as the grand gardens of Versailles are a powerful representation of who Louis XIV was, similarly, “A Little Chaos” is a powerful representation of who Alan Rickman is.

“A Little Chaos” is a testament to the imagination, audacity, good taste, brain power, creativity, directorial skill, screenwriting skill and acting skill of Director/Screenwriter/Actor Alan Rickman.

“A Little Chaos” has staying power – it will stand the test of time – because it has a beauty all its own, and no age.

This is a movie that will make people talk and think about creativity, good taste and the importance of elegance and style.

Copyright © 2014 Gary S. Smolker